HD DLSR Revolution is here, and has been for a few years already.
If this is news for you then this will get you up to speed on what's happening.
The evolution of hand-held digital SLR cameras has been crucial to low-budget film making, but now the industry at large is catching on to this technology with HD DSLR being widely used on big-budget productions.
The evolution of hand-held digital SLR cameras has been crucial to low-budget film making, but now the industry at large is catching on to this technology with HD DSLR being widely used on big-budget productions.
Many people are hailing the use of the new breed of Canon DSLRs to
shoot beautiful ‘filmic’ looking video as something akin to the second
coming, due to their incredibly large sensors, amazing low-light
sensitivity and affordability. But what does it mean in the grand scheme
of things?
This affordability is key to this revolution, as that is exactly what
it is; a revolution. We now have cameras from Canon on the market that
shoot full HD 24p and 25p video, with one as cheap as sub £1,000 to the
most being around £5,000-although the key players (the 7D and the 5D
MKII) are available for less than £2,000.
The new 5D mkIII is available at around £3,000 with greater ISO capabilities, new headphone mic and other noteable improvements
Of course good lenses are a necessity, as are accessories, which
essentially turn the terrible ergonomics of the stills camera body into
something totally usable. These do add to the cost, but we are talking
under £10,000 for a very capable filmmaking package using 35mm optics
and depth of field similar-and in a couple of the cameras even
shallower-to what 35mm digital and film cameras can currently offer.
The
price revolution has given budget filmmakers, event videographers and
weekend warriors tools which can, with the necessary skill, let you
create images more cinematic than we could dream of.
But now these cameras are finding their way onto big-budget TV shows
and even movies. True, most of the time they are being used for B, C or even D cameras.
Not the main cameras, which are still generally 35mm, F35, RED etc, but
now the ability to get that extra angle without the high cost of renting
a whole camera is available. And, sometimes, it’s hard to tell in an
edit which camera was used for which shot.
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